Tuesday, August 15, 2017

Moana and the Christian narrative

I've often heard it said that all stories participate in the grand narrative in some way. That they all have similar themes and elements. Whether it be the traditional Hero's Journey made popular by mythologist Joseph Campbell and George Lucas's use of the narrative in crafting the first Star Wars segment or some other scheme makes little difference. Leland Ryken makes the argument, and others have as well, that all good stories borrow from the grand narrative of the biblical narrative, the meta-narrative as my pastor calls it: Creation, Fall, Redemption, Consummation, or some variation on that.

My family has watched Moana about fifteen times thanks to my 2.5 year old who has almost all the songs memorized. This is her "Frozen" as that craze died out a couple of years ago. Since I've watched it so many times, I've had opportunity to muse on it. It definitely bears out, though with Polynesian twists, the Christian narrative.

The beginning of the story has Moana's grandmother telling the "Creation" and "Fall" elements of the story, although these get reframed later in the story (which I though was an interesting twist and acknowledgement to how oral tradition works). Now there is no divine fiat creation account, merely a narrative about how the demi-god Maui stole the heart from the creation goddess Te Fiti and plunged the world into chaos. It is up to Moana, we learn, to rescue Maui from imprisonment and restore the heart to Te Fiti in order to "Redeem" the world and bring about the "Consummation" of Moana's people returning to their voyaging ways instead of being scared of the unknown on the ocean.

It is a fun story and well done. The cast have good voices and the songs are instant hits. And it goes to show that good stories are universal. We have been telling them for years. As Douglas Wilson and George Grant both have said before, "The Devil has no stories."

Wednesday, February 1, 2017

2016 Book Roll

This year I finally got an Audible account for a little while and learned the value of listening to books. Probably half of the books on this list were listened to rather than "read" in the strictest sense of the word. In the case of my first entry, this allowed me to finally "read" something I've been meaning to for some time. That being said, almost my entire book list, minus that first entry, was fiction.

The Guns of August - Barbara Tuchman 👂
A Wanted Man - Lee Child 👂
One Shot - Lee Child
The Maltese Falcon - Dashell Hammett 👂
One for the Money - Janet Evanovich
Killing Floor - Lee Child 👂
The Wrath of the Furies - Steven Saylor
The Patriot Threat - Steve Berry
The Pawn - Steven James
The Lost Symbol - Dan Brown 👂
The Rook - Steven James
Sandstorm - James Rollins 👂
The Knight - Stephen James
Die Trying - Lee Child 👂
Never Go Back - Lee Child 👂